{"id":2069,"date":"2020-02-11T16:53:09","date_gmt":"2020-02-11T16:53:09","guid":{"rendered":"\/?p=2069"},"modified":"2026-02-02T17:04:12","modified_gmt":"2026-02-02T17:04:12","slug":"short-guide-to-the-contemporary-chinese-nationalist-blockbuster","status":"publish","type":"post","link":"https:\/\/mcc.sllf.qmul.ac.uk\/?p=2069","title":{"rendered":"Short guide to the contemporary Chinese nationalist blockbuster"},"content":{"rendered":"

In 2017, Wu Jing\u2019s Wolf Warrior 2 (<\/em>Zhan lang 2)<\/em> took China\u2019s box-office by storm, earning over $800m within a month of release. At the time of writing, the film remains the highest grossing film in China ever. Part of a cycle of adrenaline-fueled, militaristic, big-budget action films, including Operation Mekong <\/em>(Mei Gong he xing dong,<\/em> 2016), Extraordinary Mission<\/em> (Fei fan ren wu,<\/em> 2017) and Operation Red Sea <\/em>(Hong hai xing dong,<\/em> 2018), the film tells the story of a reluctant ex-soldier who loses interest in life when he is discharged from the Chinese military. Leng Feng (Wu Jing) wanders the world, eventually settling in Africa. But unbeknownst to him, US mercenaries are staging a coup with anti-government rebels. Leng must reprise his duties as a soldier and save the day.<\/p>\n

In addition to its triumph at the box-office, the film received overwhelmingly positive social media, with audiences responding in particular to Wolf Warrior 2<\/em>\u2019s boldness in advocating Chinese patriotism (“Wolf Warrior 2: The Nationalist Action Film Storming China”). Many moviegoers said online how they were touched by the film\u2019s patriotic plot, and some were even inspired to enlist in the army. Wolf Warrior 2 <\/em>certainly sought this kind of response, appealing to the crudest form of nationalist fantasy, with a promotional poster that features the slogan ”Anyone who offends China will be punished\u201d. Commenting on the film\u2019s success, Wu Jing said ”maybe people have kept their patriotism buried for too long. That passion has become somewhat like dry wood, but my movie is like the spark to light it again\u2019\u2019 (qtd. in Ye). In this the film chimes with a widespread state-sanctioned patriotism in the Chinese media in which the mainland government\u2019s role as protector and peacekeeper is celebrated.<\/p>\n

Wolf Warrior <\/em>2\u2019s protagonist is no different from the cold-blooded Rambo (Sylvester Stallone) in Rambo: First Blood Part 2<\/em> (1985). But where Rambo stands alone as an unstoppable force, Leng defeats his enemies with the aid of the Chinese military. In a dramatic scene, Leng transmits a call for help to the navy, resulting in a battleship off the African coast launching an airstrike and eliminating most of the rebels and US mercenaries. Situating the Chinese navy (who cooperated in the making of the film) as the \u2018ultimate saviour\u2019, is one of many markers of the film\u2019s unapologetic jingoism. China is also established as an international superpower in Wolf Warrior 2<\/em>, with the film showing how Africa benefits from increased employment, improved infrastructure and a strong local economy as a result of Chinese investment. Every government unit that makes an appearance, is shown positively, including the Public Security Bureau, the People\u2019s Liberation Army (PLA), and the Chinese embassy guards, diplomatic staff and state-trained doctors. Leng is a decorated PLA soldier and the government that he serves is equally honourable and dutiful.<\/p>\n

The film is also nationalistic in its display of China\u2019s modern military power. Wide shots depict the Chinese naval fleet escorting African civilians away from the turmoil of war. Kevin Hsu notes that ”the PLA Navy\u2019s thunderous scenes could be clipped straight from a recruiting video: crisp uniforms, swift ships, strong prows\u201d. PLA ground troops are likewise depicted as competent and highly disciplined. Unsurprisingly the Chinese have already developed an honourable reputation in this unnamed African country, everyone from the prime minister to the anti-government rebels fighting Leng, knows of \u201cthe Chinese\u2019\u2019 (Hsu). Inside the warzone, the Chinese embassy is also the only one willing to facilitate the evacuation of the African refugees; the other superpowers have fled to preserve national interests. The depiction of a paternalistic relationship between China and Africa is clearly deliberate, considering that the film debuted just a week before the opening of the first PLA overseas base in Djibouti. The film actively encourages the Chinese audience\u2019s sense of pride in their government\u2019s humanitarian efforts to restore a city ravaged by civil war, political chaos, starvation and deadly diseases. And to further underline this point, Wolf Warrior 2<\/em> frames a Chinese passport as its final shot. The passport reads \u2018\u2019Citizens of the People\u2019s Republic of China: Whenever you are in dangers overseas, don\u2019t give up! Please remember, behind you stands the powerful motherland!\u2019\u2019<\/p>\n

In contrast, the West is depicted as militarily, diplomatically, technologically and scientifically inferior. Leng\u2019s American companion, Rachel Smith (Celina Jade), splutters ”I contacted the American embassy, but they haven’t responded!” “How did you contact them?” Leng asks her. “I tweeted at them.” Fortunately the Chinese military isn\u2019t incompetent, nor are they seduced by trivial consumer digital technology, so everyone is saved. The US also provides the film\u2019s antagonist, mercenary leader Big Daddy (Frank Grillo), who fires weapons at innocent civilians, is a war profiteer, and supplies black-market weapons to anti-government rebels. During a climatic tank battle, after Leng flips over Big Daddy\u2019s tank, he crawls out of the wreckage and muses, \u201cI guess the Chinese military aren\u2019t as lame as I thought\u201d. This is followed by a fistfight in which Big Daddy pins Leng to the ground and states \u201cPeople like you will always be inferior to people like me. Get used to it.\u2019\u2019 Leng then beats Big Daddy to death and replies, \u201cThat was history\u201d. These lines of dialogue make for a rather blatant display of Chinese patriotism; the Chinese subtitles of Big Daddy\u2019s monologue translates to ”in this world there are the weak and the strong, and your race will always be the weak\u2019\u2019.<\/p>\n

After earning his victory the wounded Leng stands on a truck, waving the Chinese flag in an image reminiscent of the propaganda posters and socialist realist films of the Mao era. This comparison is drawn not only on the basis of image composition, but also in the shot\u2019s slow motion, saturated colours of red and blue, ambient score, and Leng\u2019s proclamation: \u201cI am Chinese!\u201d<\/p>\n

Wolf Warrior 2<\/em>\u2019s overt nationalism is, in part, state funded. The film was co-produced by state-owned and private film companies. The China Film Group Corporation (CFGC) in particular, is a state monopoly that supervises the process of visa administration in film production overseas. The CFGC vetted Wolf Warrior 2<\/em>\u2019s script and a preliminary review of the finished film. The film also debuted just ahead of the PLA\u2019s 90th founding anniversary, a hugely symbolic event for the country during which the military paraded the Chinese army\u2019s latest arsenal. President Xi Jinping gave a stern speech vowing to fight anyone who attempts to split China, which is reminiscent to some lines of dialogue spoken by Leng.<\/p>\n

China has a history of militaristic cinema which dates back long before the mainstream success of Wolf Warrior 2<\/em>. The closest films in kind were made during Mao\u2019s regime and include Landmine Warfare <\/em>(Di lei zhan,<\/em> 1962), Zhang Ga the Soldier Boy<\/em> (Xiao bing zhang ga,<\/em> 1963) and Tunnel Warfare<\/em> (Di dao zhan,<\/em> 1965). Thse films depict lives in small rural villages during the Sino-Japanese wars (Wu) and are shaped by narratives in which peasant labourers becoming willing patriotic soldiers in order to ward off China\u2019s foreign invaders. The contemporary variant shifts from the home front to China\u2019s more ambitious role in the world. Critic Freddie Wong notes that \u201c[t]he heroic patriotism portrayed in Wolf Warrior 2<\/em> coincides with the rise of China as a global economic power. People buy into the thinking that it is finally China\u2019s turn to rule the world after over a century of attacks and humiliation by foreign powers\u2019\u2019 (qtd. in Chow). Wolf Warrior 2<\/em> certainly taps a popular feeling of frustration with the West, especially the US, a feeling exacerbated by President Donald Trump\u2019s threats of an anti-Chinese trade war.<\/p>\n

Incidentally, Wu Jing also starred in another nationalistic blockbuster, The Wandering Earth <\/em>(Liu lang di qiu,<\/em> 2019). In this film the action star brings the patriotic overtones of Wolf Warrior<\/em> 2 into the sci-fi genre. The Wandering Earth\u2019s<\/em> somewhat recycled premise follows Armageddon<\/em> (1998) and Interstellar<\/em> (2014) in depicting an international space crisis. However, in this version China is the leading force in the attempt to save the earth. While the film has yet to be released worldwide, initial reviews suggests that it is \u201cbrilliantly patriotic but nowhere near as xenophobic and chauvinistic as Wolf Warrior 2<\/em>\u201d (Li). The Wandering Earth<\/em> places an emphasis on global collective policy and international cooperation and actively cements \u201cChinese bravery and perseverance as the bringer of global unity\u2019\u2019 (Cheng).<\/p>\n

In their different ways Wolf Warrior 2<\/em> and The Wandering Earth<\/em> clearly situate China as hegemonic (in one case militarily and economically dominant and belligerent, in the other technologically powerful, cooperative and generous) and their box-office success indicates that audiences are enthusiastic about these kinds of messages. Wu Jing has said his Wolf Warrior<\/em> films reflect ”the consciousness of a strong country and army\u2019\u2019 in order to show respect towards an ”older generation of soldiers and tell young Chinese that we are valiant” (Yu). His film ends with a post-credit sequence showing Leng\u2019s ex-lover being held captive by American soldiers, gesturing towards a third instalment. However, the Chinese government have expressed concern that the strident nationalism and jingoism expressed in Wolf Warrior 2 <\/em>and similar films may fuel the divide between East and West and have indicated this kind of film will no longer be funded (Wolf Warrior 3 <\/em>remains \u2018in production\u2019), with the more diplomatic vision of The Wandering Earth <\/em>seemingly now the preferred option (\u201cWill China Ban \u2018Wolf Warrior 3?\u201d).<\/p>\n

References<\/strong><\/p>\n

Breihan, Tom. “We Wrap Up Our History of Action Films With 2017\u2019S Very \u201980S-Style Bombast Opera Wolf Warrior II<\/em>“. avclub.com<\/em>. 12 Jan. 2018. Web. 5 Mar. 2019.<\/p>\n

Cain, Rob. “China’s ‘Wolf Warrior 2’ Becomes 2nd Film in History to Reach $800M in a Single Territory.” Forbes.com<\/em>. 27 Aug. 2017. Web. 5 Mar. 2019.<\/p>\n

Cheng, Chelsea. “\u2018The Wandering Earth\u2019: China\u2019s Futuristic Blockbuster Rehashes Hollywood-Style Nationalism, Clich\u00e9s, and Schmaltz”. Supchina.com<\/em> 21 Feb. 2019. Web. 5 Mar. 2019.<\/p>\n

Chow, Vivienne. “Why China\u2019s \u2018Wolf Warriors II\u2019 is Enjoying Surprising Success in Hong Kong.” Variety<\/em>.com<\/em> 21 Sept. 2017. Web. 5 Mar. 2019.<\/p>\n

Hsu, Kevin. “China Finally Has Its Own Rambo.” Foreign Policy<\/em>.com<\/em> \u00a01 Sept. 2017. Web. 5 Mar. 2019.<\/p>\n

Li, Audrey. “What Sci-Fi Blockbuster The Wandering Earth Says About Chinese Values”.\u00a0South China Morning Post.com<\/em> \u00a016 Feb. 2019. Web. 5 Mar. 2019.<\/p>\n

\u201cWill China Ban \u2018Wolf Warrior 3?\u201d chinafilminsider.com 3 Dec. 2018. 5 Mar 2019.<\/p>\n

“Wolf Warrior 2: The Nationalist Action Film Storming China.” BBC.co.uk<\/em> 4 Aug. 2017. Web. 5 Mar. 2019.<\/p>\n

Wu, Haiyun. “How Blockbuster War Movies Capture China\u2019s Changing Nationalism” Chinafilminsider<\/em>.com N14 Aug. 2017. Web. 5 Mar. 2019.<\/p>\n

Ye, Yu Chen. “Exclusive Interview With Wu Jing, Director Of USD150-Million Chinese Blockbuster Wolf Warrior 2<\/em>.” Yicaiglobal<\/em>.com 3 Aug. 2017. Web. 5 Mar. 2019.<\/p>\n

Written by Hon-Lee Poon (2019); Queen Mary, University of London<\/strong><\/p>\n

This article may be used free of charge. Please obtain permission before redistributing. Selling without prior written consent is prohibited. In all cases this notice must remain intact.<\/p>\n

Copyright \u00a92019 Hon-Lee Poon\/Mapping Contemporary Cinema<\/p>\n","protected":false},"excerpt":{"rendered":"

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